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The American Western in Canadian Literature: Works Reproduced in Part

The American Western in Canadian Literature
Works Reproduced in Part
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table of contents
  1. Contents
  2. Acknowledgements
  3. Introduction
  4. Scaling and Spacing the Genre
  5. Tom King’s John Wayne
  6. The Northwestern Cross
  7. From Law to Outlaw
  8. CanLit’s Postmodern Westerns
  9. Degeneration through Violence
  10. Conclusion
  11. Works Reproduced in Part
  12. Works Consulted
  13. Index

Works Reproduced in Part

Every effort has been made to seek permission to reproduce portions of copyrighted text. These include:

From “Considering the Death of John Wayne” from The Journal of Popular Culture, vol. 7, no. 3, 1979, p. 265, by Louis Phillips. Copyright (c) 1979 by Louis Phillips. Used by permission of Louis Phillips.

From Deactivated West 100 by Don McKay. Copyright (c) 2005 by Don McKay. Used by permission of Gaspereau Press.

From “Dear John Wayne” from Original Fire by Louise Erdrich. Copyright (c) 2003 by Louise Erdrich. Used by permission of HarperCollins Publishers.

From The Louis Riel Organ and Piano Company by Frank Davey. Copyright (c) 1985 by Frank Davey. Used by permission of Turnstone Press.

From Throwing the Diamond Hitch by Emily Ursuliak. Copyright (c) 2017 by Emily Ursuliak. Used by permission of University of Calgary Press.

From The True Eventual Story of Billy the Kid by bpNichol. Copyright (c) 1970 by bpNichol. Used by permission of Eleanor Nichol for the estate of bpNichol.

From Whiskey Bullets: Cowboy and Indian Heritage Poems by Garry Gottfriedson. Copyright (c) 2006 by Garry Gottfriedson. Used by permission of Ronsdale Press.

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