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Diverging the Popular
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table of contents
  1. Half Title Page
  2. Title Page
  3. Copyright Page
  4. Contents
  5. List of Figures
  6. Introduction
  7. Episode Guide
  8. Part 1
    1. Part 1 A New Kind of Superhero: Film Noir and the Anti-hero
    2. 1 When Is a Superhero Not a Superhero?
    3. 2 Defining “Rebel Femme Noir” through Genre Hybridization in Cinematic and Comics Narratives of Jessica Jones
    4. 3 “My Greatest Weakness? Occasionally I Give a Damn”: (Super)Heroic Duty, Responsibility, and Morality
    5. 4 Watch Party: Watching Jessica Jones Watch Others
    6. 5 “So Go After the Big Green Guy or the Flag Waver.”: The MCU Reality Bridge
  9. Part 2
    1. Part 2 Portrayals of Masculinities, Male Violence, and Entitlement
    2. 6 From Devils to Milquetoast Little Man-Boys
    3. 7 Will Simpson and the Failure of Militarized Masculinity
    4. 8 #Kilgraved: Geek Masculinity and Entitlement in Marvel’s Villains
    5. 9 Undeniably Charming, Undeniably Wicked, and Our Shameful Kilgrave Crush
  10. Part 3
    1. Part 3 Surviving Trauma
    2. 10 “Tell Us Which One of Us Was Truly Violated”: Disrupting Narratives of Trauma, Rape, and Consent
    3. 11 Before Kilgrave, After Kilgrave: The Choreographic Effects of Trauma on the Female Body
    4. 12 Code Word, “I Love You”: Sisterhood, Friendship, and Trauma
    5. 13 “I Can’t Leave”: The Iconography of Hysteria and the Anti-superhero 
    6. 14 Representations of Rape and Race
    7. 15 “AKA WWJD?” Interrogating Gendered Ideologies and Urban Revanchism
  11. Conclusion: Considering Jessica Jones as a Moment in Time
  12. List of Contributors
  13. Index

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Diverging the Popular,
Gender and Trauma AKA

The Jessica
  Jones
Anthology

Edited by
Mary Grace Lao, Pree Rehal, and Jessica Bay

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© 2024 Mary Grace Lao, Pree Rehal, and Jessica Bay
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