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Diverging the Popular, Gender and Trauma AKA The Jessica Jones Anthology
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table of contents
Half Title Page
Title Page
Copyright Page
Contents
List of Figures
Introduction
Episode Guide
Part 1
Part 1 A New Kind of Superhero: Film Noir and the Anti-hero
1 When Is a Superhero Not a Superhero?
2 Defining “Rebel Femme Noir” through Genre Hybridization in Cinematic and Comics Narratives of Jessica Jones
3 “My Greatest Weakness? Occasionally I Give a Damn”: (Super)Heroic Duty, Responsibility, and Morality
4 Watch Party: Watching Jessica Jones Watch Others
5 “So Go After the Big Green Guy or the Flag Waver.”: The MCU Reality Bridge
Part 2
Part 2 Portrayals of Masculinities, Male Violence, and Entitlement
6 From Devils to Milquetoast Little Man-Boys
7 Will Simpson and the Failure of Militarized Masculinity
8 #Kilgraved: Geek Masculinity and Entitlement in Marvel’s Villains
9 Undeniably Charming, Undeniably Wicked, and Our Shameful Kilgrave Crush
Part 3
Part 3 Surviving Trauma
10 “Tell Us Which One of Us Was Truly Violated”: Disrupting Narratives of Trauma, Rape, and Consent
11 Before Kilgrave, After Kilgrave: The Choreographic Effects of Trauma on the Female Body
12 Code Word, “I Love You”: Sisterhood, Friendship, and Trauma
13 “I Can’t Leave”: The Iconography of Hysteria and the Anti-superhero
14 Representations of Rape and Race
15 “AKA WWJD?” Interrogating Gendered Ideologies and Urban Revanchism
Conclusion: Considering Jessica Jones as a Moment in Time
List of Contributors
Index
About This Text
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