Skip to main content

Prairie Interlace: Section 2: Contextual Encounters

Prairie Interlace
Section 2: Contextual Encounters
    • Notifications
    • Privacy
  • Project HomePrairie Interlace
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Front matter
    1. Half Title Page
    2. Art in Profile series
    3. Title Page
    4. Copyright Page
    5. Contents
    6. Minister’s Message
    7. Acknowledgements
    8. Exhibition Itinerary
    9. 1. Introduction to Prairie Interlace: Recovering “Lost Modernisms”
  2. Section 1: Recovering Histories
    1. 2. Stand Back—Nothing to See—Move Along
    2. 3. Marginalized Moderns: Co-operatives and Indigenous Textile Arts in Saskatchewan, 1960–1972
    3. 4. Métis Stories and Women’s Artistic Labour in Margaret Pelletier Harrison’s Margaret’s Rug
    4. 5. The Gift of Time, The Gift of Freedom: Weaving and Fibre Art at the Banff Centre
    5. 6. Living and Liveable Spaces: Prairie Textiles and Architecture
  3. Section 2: Contextual Encounters
    1. 7. Curating Prairie Interlace: Encounters, Longings, and Challenges
    2. 8. Weaving at the Horizon: Encounters with Fibre Art on the Canadian Prairie
    3. 9. Contextual Bodies: From the Cradle to the Barricade
    4. 10. Six Ways of Looking at Prairie Interlace
  4. Section 3: Expanding the Frame
    1. 11. Weaving in an Expanded Frame
  5. Backmatter
    1. List of Works
    2. Contributors

Section 2

Contextual Encounters

Annotate

Next Chapter
7Curating Prairie Interlace: Encounters, Longings, and Challenges
PreviousNext
© 2023 Michele Hardy, Timothy Long, and Julia Krueger
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org