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Writing Alberta: Building on a Literary Identity: Cover

Writing Alberta: Building on a Literary Identity
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table of contents
  1. Cover
  2. Title Page
  3. Copyright
  4. Table of Contents
  5. Introduction: Writing Alberta: Continuities, Interventions, and Lacunae
  6. 1. My Alberta Home
  7. 2. “My Bones Have Known this Land Long Before Alberta Was Born”: Intersections in Indigenous Geography and Indigenous Creative Expression
  8. 3. Strategies for Storying the Terrible Truth in John Estacio’s and John Murrell’s Filumena and Betty Jane Hegerat’s the Boy
  9. 4. Alberta’s Environmental Janus: Andrew Nikiforuk and Chris Turner
  10. 5. Alberta in the Alberta Novels of David Albahari
  11. 6. Science and the City: The Poetics of Alice Major’s Edmonton
  12. 7. Double Vision in Betty Lambert’s Jennie’s Story
  13. 8. Seeing Seeing, and Telling Telling: Framing and Transparency in Robert Kroetsch’s The Hornbooks of Rita K. and James Turrell’s “Twilight Arch”
  14. 9. The Mythological and the Real: Sheila Watson’s Life and Writing
  15. 10. Gwen Pharis Ringwood and Elsie Park Gowan: Writing the Land 1933-1979
  16. 11. Writing Alberta’s History
  17. 12. Fin de Siècle Lunacy in Fred Stenson’s The Great Karoo
  18. 13. The “Father” of Ukrainian-language Fiction and Non-fiction in Alberta: Rev. Nestor Dmytrow, 1863-1925
  19. Contributors

Cover: “Writing Alberta: Building on a Literary Identity” edited by George Melnyk and Donna Coates. Title and author name sit on seven horizontal washes of earth-tone water colour creating a horizon.

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