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Borderblur Poetics: Epigraph

Borderblur Poetics
Epigraph
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table of contents
  1. Half title page
  2. Title Page
  3. Copyright
  4. Dedication
  5. Table of Contents
  6. List of Figures
  7. Acknowledgements
  8. Epigraph
  9. Introduction
    1. Canons and Controversies: Literary Traditions and Intermediality in Canada
    2. Bordering the Book: Critical Parameters
    3. From Here to There: A Brief Chapter Outline
  10. Bordering the Blur
    1. In Search of Experience: Borderblur Poetics in Canada
    2. Dropping Off the Borders: An International Network of Alternative Poetics
    3. Intermedial Poesis in the Electric Age
    4. “Fuck the Avant-Garde”: Borderblur and Theories of the Avant-Garde
  11. Concrete Poetry
    1. Beginning Again: A Confluence of Encounters
    2. Canadian Concrete Poetry and the Electric Age
    3. Against Manipulation: Advertising and Consumer Culture
    4. Breaking the Typing Machines
    5. (Moving) Images: Film, Television, Photography
  12. Sound Poetry
    1. Questioning the Cadence: Sound, Nation, Affect
    2. A Network of Sonic Affiliations
    3. Language and Sound in the Electronic Age
    4. Affect and Extension: Listening to Canadian Sound Poetry
  13. Kinetic Poetry
    1. Toward a Theory of Kinetic Poetics
    2. Kinetic Art and Literature: Borderblur’s Kinetic Context
    3. Kinetics and Poetics in Canada
    4. Extending the Codex
    5. Games and Puzzles
    6. Immersive and Environmental Works
  14. Intermedial Poetry in Canada Today
  15. Notes
  16. Bibliography
  17. Index

But there is always an avant-garde, in the sense that someone, somewhere is always trying to do something which adds to the possibilities for everybody.

—Dick Higgins (1981)

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