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Borderblur Poetics: List of Figures

Borderblur Poetics
List of Figures
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table of contents
  1. Half title page
  2. Title Page
  3. Copyright
  4. Dedication
  5. Table of Contents
  6. List of Figures
  7. Acknowledgements
  8. Epigraph
  9. Introduction
    1. Canons and Controversies: Literary Traditions and Intermediality in Canada
    2. Bordering the Book: Critical Parameters
    3. From Here to There: A Brief Chapter Outline
  10. Bordering the Blur
    1. In Search of Experience: Borderblur Poetics in Canada
    2. Dropping Off the Borders: An International Network of Alternative Poetics
    3. Intermedial Poesis in the Electric Age
    4. “Fuck the Avant-Garde”: Borderblur and Theories of the Avant-Garde
  11. Concrete Poetry
    1. Beginning Again: A Confluence of Encounters
    2. Canadian Concrete Poetry and the Electric Age
    3. Against Manipulation: Advertising and Consumer Culture
    4. Breaking the Typing Machines
    5. (Moving) Images: Film, Television, Photography
  12. Sound Poetry
    1. Questioning the Cadence: Sound, Nation, Affect
    2. A Network of Sonic Affiliations
    3. Language and Sound in the Electronic Age
    4. Affect and Extension: Listening to Canadian Sound Poetry
  13. Kinetic Poetry
    1. Toward a Theory of Kinetic Poetics
    2. Kinetic Art and Literature: Borderblur’s Kinetic Context
    3. Kinetics and Poetics in Canada
    4. Extending the Codex
    5. Games and Puzzles
    6. Immersive and Environmental Works
  14. Intermedial Poetry in Canada Today
  15. Notes
  16. Bibliography
  17. Index

List of Figures

  1. 0.1 Front cover of Ganglia, no. 1, published January 1965.
  2. 0.2 Front cover of Judith Copithorne’s magazine Returning, no. 1, published 1972.
  3. 0.3 “What Is Can Lit?” by bpNichol, 1973.
  4. 0.4 “What Is Can Lit?” by bpNichol, 1973.
  5. 1.1 Front cover of grOnk, no. 1, published January 1967.
  6. 1.2 Excerpt from END OF AUGUST GIANT grOnk MAILOUT, published 1969.
  7. 2.1 “Blues” by bpNichol, from As Elected: Selected Writing, 1981.
  8. 2.2 Excerpt from Touch by David UU, 1967.
  9. 2.3 Untitled collage from pass th food release th spirit book by bill bissett, 1973.
  10. 2.4 Untitled collage from pass th food release th spirit book by bill bissett, 1973.
  11. 2.5 “The Plastic Typewriter, 12” by Paul Dutton (text sourced from the traditional Black US gospel song “Certainly, Lord”).
  12. 2.6 Excerpt from Release by Judith Copithorne, 1969.
  13. 2.7 Excerpt from Shaunt Basmajian’s “Personal Traumas,” 1980.
  14. 2.8 Untitled collage from bill bissett’s Stardust, 1975.
  15. 2.9 Untitled collage from bill bissett’s Stardust, 1975
  16. 2.10 CRACK by Brian Dedora, 1978.
  17. 3.1 Liner notes to Penn Kemp’s Ear Rings, 1987.
  18. 3.2 Excerpts from score for “ABCD” by Susan McMaster for First Draft, 1987.
  19. 4.1 “Like an Eddy” by Earle Birney, 1969.
  20. 4.2 Excerpt from “SCREAM (How To)” from The Scream: First Draft, The Third Annual Group Show by First Draft, 1984.
  21. 4.3 Front cover of WAR, vol. 1, by John Riddell, 1981.
  22. 4.4 The assembled text from John Riddell's WAR, vol. 1, assembled by the author in his home.
  23. 4.5 Installation photograph of The Imagination of Aldo Breun by Michael Dean, November 1981.
  24. 4.6 Installation photograph of The Imagination of Aldo Breun by Michael Dean, November 1981.

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