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Signs of Water: Introduction

Signs of Water
Introduction
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table of contents
  1. Half Title Page
  2. Series Page
  3. Title Page
  4. Copyright
  5. Dedication
  6. Contents
  7. Foreword
  8. Acknowledgements
  9. Introduction
  10. I. Immersions:
  11. Introduction
  12. Water Imagination in Anthropology: On Plant Healing Matters
  13. Aquatic Insights from Roger Deakin’s Waterlog
  14. II. Formations:
  15. Introduction
  16. Water Formations, Water Neutrality, and Water Shutoffs: Posthumanism in the Wake of Racial Slavery
  17. When Water Isn’t Life: Environmental Justice Denied
  18. Indigenous Stories and the Fraser River: Intercultural Dialogue for Public Decision-Making
  19. III. Histories:
  20. Introduction
  21. Unexpected Connections? Water Security, Law, Social Inequality, Disrespect for Cultural Diversity, and Environmental Degradation in the Upper Xingu Basin
  22. Community-Based Natural Resources Management in Sub-Saharan Africa: Barriers to Sustainable Community Water Supply Management in Northwest Cameroon
  23. Taming the Tambraparni River: Reservoirs, Hydro-Electric Power Generation, and Raising Fish in South India
  24. A Tale of Two Watersheds in the Mackenzie River Basin: Linking Land Use Planning to the Hydroscape
  25. IV. Interventions:
  26. Introduction
  27. On Not Having Invented the Wheel: A Meditation on Invention, Land, and Water
  28. Instructions for Being Water: A Performance Score
  29. The Red Alert Project
  30. V. Responses:
  31. Introduction
  32. Ghost Story: A Community Organizing Model of Changemaking
  33. The New Thunderbirds: The Waters of Uranium City, Saskatchewan
  34. VI. IMPLEMENTATION:
  35. Introduction
  36. Large-Scale Water Harvesting: An Application Model in the Time of Accelerating Global Climate Change
  37. Contributors

Introduction

At this time, anything is possible.

—Sharon Meier MacDonald, Chapter 14

The new perspective is a blend of both views.

—Bill Bunn and Robert Boschman, Chapter 15

Signs of water exist in our communities in relationship to people in places—places and relationships drenched in sensory experience. As explained in the preceding sections, signs and practical responses to issues of water stewardship arise from the aesthetic, philosophical, historical, and cultural attunement to water. Immersed in sensation of sights, sounds, and scents, people and communities called to intervene may take on the solidity of a mountain, or the stillness or motion of water, as they respond to changes and challenges in their midst. Like the performances showcased in Harrison’s meditative poetry, Lin and Neumark’s stunning score, and Amos’ Red Alert piercing art project, different communities embody their attunement in locally relevant ways that signal more universal political and social relations of power. As this phenomenon is currently studied by those seeking to understand ecological grief and responses to climate emergencies, we ask ourselves how is it that some people and communities respond to the challenges before them, while others seemingly freeze, hoping instead that by not responding the troubles in the waters will simply float on by. How is it that communities and people turn away from the practical responses that will support their own survival?

These questions, and other important contexts rich in community experiences, are explored through two Canadian case studies. The Ghost River story by Sharon Meier MacDonald is filled with descriptions of everyday qualities and characters found in any good ghost story: the community regrouping various protagonists ready to face the ghost of clear-cut logging at a crucial headwaters site. Bunn and Boschmann go on to showcase the impact of resource extraction on the waters of Uranium City, through powerful sensory experiences in the story-telling traditions of knowledge-keepers and photographic accounts. In both these cases, we are brought into the slow, unglamorous muddy work of learning and listening, which is essential for communities to respond to water stewardship—and the opportunities only available therein.

—Robert Boschman and Sonya Jakubec, editors

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